30.11.10
Super-Whip, Jordan Baseman We are eager to present the final instalment of our five Rough Machine commissions that each premiered online this month. Jordan Baseman has created two rough machines – 16mm films that were shot using stop-frame animation techniques. The recorded material was hand-processed (using buckets) and then professionally digitised. As the surface of the emulsion on the negative was intentionally physically punctured, torn and damaged ...