13.12.09
Elephant, Alan Clarke There is a remarkable cadence to Alan Clarke’s Elephant (1989) that makes it difficult to define as a television drama, extended short, short-form feature or artist’s moving image piece. In differing contexts it could be read alongside films such as Culloden, Partie de Campagne or Meshes of the Afternoon. The film, a circle of violence, near silent with no thematic context provided, other ...