Duncan Campbell

10.09.09
Bernadette, Duncan Campbell, image courtesy of LUX Duncan Campbell’s films are documentaries, but documentaries that test the boundaries of the form, acknowledging, in Campbell’s words, that ‘documentary is a peculiar form of fiction.’  Using archival material – images of bygone youth culture and urban decay in Falls Burns Malone Fiddles (2004) and footage of dissident and Activist Bernadette Devlin in Bernadette (2008) – Campbell attempts to ...