Persistence of Vision
APEngine closing note
28 July 2011
APEngine was an online journal project produced by Animate Projects. A space for debate and discussion across the area of moving image practice from a range of perspectives and a ...
Digitalis Commissions
20 July 2011
Image: Digitalis, Sebastian Buerkner Animate Projects, with support from the Jerwood Charitable Foundation, is pleased to announce a call for proposals for animated works that – in a broad sense – ...
Animate OPEN Digitalis: deadline approaching
9 June 2011
The deadline for submission is fast approaching – there’s one week left to apply, all entries must be sent by 10am Monday 20 June. It’s our first exhibition selected from ...
Animate OPEN: Digitalis
19 May 2011
Image: Digitalis © Sebastian Buerkner Animate OPEN: Digitalis A fresh open for experiments in animation Animate Projects – the champion of experimental animation – announces a call for its first online exhibition ...
Twoscore – Outcasting at Chapter cinema
31 March 2011
Rabbit Hole (2010) Dir: John Cameron Mitchell Chapter Arts Centre is forty years old this year and to celebrate that fact Outcasting and Chapter Cinema have joined forces to screen experimental ...
Persistence of Vision
Invisible Film, Melik Ohanian

Invisible Film, Melik Ohanian

Dates: 18 June – 5 September | Location: FACT, Liverpool

How does memory influence what we see? What part does technology play in shaping both how we see and what we remember?

Informed by scientific research and inspired by historical developments in media technology, Liverpool’s FACT presents an exhibition exploring the relationship between vision, memory and media.

Persistence of Vision brings together the multimedia work of eight contemporary artists that repurposes image technologies, including cameras, slide projectors, magnifying glasses and mirrors, to playfully review and re-imagine how our memories are stored and revived.

Melik Ohanian will show Invisible Film (2005). A video installation that brings radical post-sixties cinema back into visual memory through the image of a film projector standing in a desert landscape beaming a film into nowhere. The film is Peter Watkins’ rarely screened docu-fiction Punishment Park (1971), a landmarkwork on US political repression, but a film deliberately ignored for over twenty years by distributors in the US and UK because of its controversial content.

Other participating artists include: Julius von Bismarck (Germany), Julien Maire (France), Mizuki Watanabe (Japan), Gebhard Sengmüller (Austria), Jamie Allen (Canada), Sascha Pohflepp (Germany), AVPD (Denmark).


Tell us what you're thinking...